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https://w.atwiki.jp/touhoukashi/pages/2434.html
【登録タグ 3L E 亡き王女の為のセプテット 凋叶棕 曲 薦】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; 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const rPagename = /(?=^|.*
https://w.atwiki.jp/tohoandroid/pages/15.html
imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■あと何日？～東方キャラと一緒に日付管理～ https //play.google.com/store/apps/details?id=code.atoNannichi 良い子のみなさん こんにちるの。 クリスマスや正月まで、あと何日？ 自分の誕生日や記念日まで、あと何日？ エクスぺリアの発売日まであと何日？ 気になります。 もういくつ寝るとお正月なんですかー そんな時はこの糞アプリが便利ですよ奥さん。 なんと、未来の日付を入れるとその日まで”あと何日”か計算してくれ... imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■こんなときに画面消灯しないでよ https //play.google.com/store/apps/details?id=jp.gr.java_conf.siroco.offscreen 本アプリは端末の 画面消灯 （スリープモード）設定を変更するだけのアプリです。 アプリ 起動中にちょっと目を離すと 画面 が 消灯 していて、 画面 表示させると、「ちょ、アプリ終了 してるし！？」という、誰もがする苦い経験を解消します。 操作はアプリ起動 画面 で 画面 ... imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■電撃の衣玖さん https //play.google.com/store/apps/details?id=com.oukasoft.ae.ikusan 2013年8月30日 ... 飛んでくる敵キャラを 電撃 で撃ち落とすだけのシンプルなゲームです。 衣玖さん の 電撃 で 大量発生する妖精を駆逐しよう... 本作品は上海アリス幻樂団様による東方projectの二 次創作です原作：ZUN 様（ imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 ぷらぷらヤマメ～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=com.Yamamesou ★★★無料のワンキー爽快ジャンプアクションゲーム★★★ ☆ランダム生成ステージなので飽きずに何度でも楽しめちゃう☆ 誰でも簡単に遊べるので暇つぶしにぴったり♪ ○ゲーム内容○ 地底世界の旧都や洞窟の奥底で活動している土蜘蛛の妖怪、黒谷ヤマメ。 ある日飼っていたクモが逃げ出してしまいました！逃げ出した... imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 ふわふわまりさ2～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.marimari2 魔法使い 霧雨魔理沙。 いつもは箒に乗って自在に空を飛んでいますが、今日はなんだか調子が悪いみたい…？ タイミング良く風を吹かせて魔理沙をより遠くまで飛ばしましょう！ 簡単ワンタップアクションゲーム！ 【ゲーム説明】 ●魔理沙は時間と共に高度が下がって行きます。 ●魔理沙が青い波線と地面の間まで降りて... imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 アリスの人形これくしょん～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.toho_follow 七色の人形遣い、アリス・マーガトロイド。 たくさんの人形を持っていますが、どういうわけか人形達があちこちに散らばってしまいました。人形を拾い集めて連れて帰りましょう！ 【ゲーム説明】 ・モードは、『練習』『タイムアタック』『クエスト』があります。 ・モードを選択するとゲーム画面へ移動します。 ・カウントダウ... imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 稼げ霊夢！～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.toho_kaikei 博麗霊夢が巫女をしている博麗神社は訪れる人が少なく、いつも困窮しています。 そんな中、突然参拝客がお守りなどを買いにやってきました！おつりをきちんと素早く渡して、上手くお客を捌き、より多くの収入を得ましょう！ 【遊び方】 ・画面下のお金をタップして画面中央のトレーに運びます。 font color="... imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方お天気少女 -K.ver- https //play.google.com/store/apps/details?id=jp.gr.java_conf.poponta009.TohoWeather.KUROHERO 東方Projectのキャラクター(+α)によるお天気予報アプリです。 サークルぷりんのコラボ企画第１弾 【利用上の御注意】を必ず読んでご使用下さい。 日本の各地域のお天気情報を６時間区切りで表示します。 約２４時間の降水確率を予報します。 ウィジェットは複数配置できます。 配置したウィジェット毎に地域を... imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 ぱたぱたはたて～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=com.Hatatesou ★★★無料のワンキー爽快ジャンプアクションゲーム★★★ ☆ランダム生成ステージなので飽きずに何度でも楽しめちゃう☆ 誰でも簡単に遊べるので暇つぶしにぴったり♪ ○ゲーム内容○ 念写でネタをあつめ、新聞を作る天狗、姫海棠はたて。でも彼女の新聞「花果子念報」はあまり人気がありません。 人気挽回のために、... imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 南無三！白蓮～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.toho_attack_running_vol_3 八苦を滅した尼公・聖白蓮。 普く衆生を苦しみから救うべく、降りかかる「愛別離苦」「怨憎会苦」「求不得苦」「五陰盛苦」といった四苦を滅そう！いざ、南無三！ ★ゲーム詳細★ ・画面下方の蓮の花をタップすると白蓮が出て攻撃します。 ・タップ範囲はキャラクター出現時の手の上辺りまでです。 ・アイテムの撃墜場所がキ... imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■⑨弾幕 https //play.google.com/store/apps/details?id=com.sorais.bakastg 弾幕シューティングゲーム 東方みたいな弾幕がやりたかったので作ってみました。まだ未完成です。暇つぶしにでもどうぞ！ imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 ぽとぽとキスメ～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=com.Kismesou 釣瓶落としの妖怪であるキスメ。鬼火を落とす程度の能力をもっています。 キスメの桶を上げ下げして、井戸の底に落ちている骨を拾って鬼火を落とす手助けをしてあげましょう。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 ぱたぱたリグル～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=com.Wrigglesou 蟲を操る程度の能力を持つリグル・ナイトバグ。 草原を飛び回って、たくさんの蟲を従えて力を蓄えましょう。殺虫剤にはご用心！ imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■キスメたるマックス https //play.google.com/store/apps/details?id=jp.gr.java_conf.kikumasa.kisume_taru_max 東方ドット絵劇場のネタの１つであるキスメたるマックスのゲームを作ってみました。 全８体の賞金首を倒してキスメを名のあるハンターにすることが目的です。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 進航のムラサ船長～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.toho_attack_running_vol_2 聖輦船の船長をしている村紗 水蜜。航海の途中に海賊が襲ってきた！船に近づけないよう、大砲で撃退しよう！ imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 ぱかぱかかぐや～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.toho_attack_running_vol_1 迷いの竹林の中にある、永遠亭で暮らしている蓬莱山 輝夜。 ゆっくりしようとしていたところへ、求婚者からの贈り物が沢山やってきた！ 窓から迎撃して、家に入れないようにしましょう！ imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■すべりこむちぇん https //play.google.com/store/apps/details?id=com.areazero.chenapp ニコニコ動画で人気の「すべりこむちぇん」が Androidアプリで登場！東方Projectのマスコット（？）的な猫のキャラクター 橙（ちぇん）を指で弾いて箱にすべりこませましょう。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 ぱたぱた大妖精～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=com.Daiyousou 霧の湖の畔で暮らす大妖精。今日ものんびり花を摘みます。木や地面にぶつかると痛いので注意しましょう。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 ぱたぱた小悪魔～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=com.Koakumasou 紅魔館地下の図書館で雑務をする小悪魔は今日も大忙しです。 散らかしっぱなしの本を片付けて、お茶をいれないといけません。熱い急須で火傷をしないように注意です。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 こいこいさとこい～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.fallgame11 旧地獄にある地霊殿に住む古明寺さとり・こいし姉妹。心が読めるさとりですが、妹のこいしの心だけは読めません。 二人そろって館にいるこの機会に、降らせたクッションからこいしを守って、心をつかむ練習をしましょう。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■Touhou ~ 東方 https //play.google.com/store/apps/details?id=com.Touhou.touhou imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 それゆけ！秋姉妹～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.attack_toho2 幻想郷の秋を司る 秋静葉 と 秋穣子 の秋姉妹。無事に秋を迎えるために大忙しです。 それぞれ畑ではモグラ退治、山では紅葉の支度をします。間違ったものを叩かないように注意しましょう。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■Touhou Test02 https //play.google.com/store/apps/details?id=vesp.touhou.main imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■Touhou Beta0.3 https //play.google.com/store/apps/details?id=vesp.touhou.shoot imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 ぽこぽこぬえ～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.attack_toho 正体を分からなくする程度の能力を持つ封獣ぬえ。ぬえの姿に化けた幻想境のタヌキと結託して何か悪戯を企んでいるようです。 タヌキを叩いてぬえの正体を明かしましょう！ imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■ぬえの暗号化ツール https //play.google.com/store/apps/details?id=ohamakuhs.ango 秘密のメール、体重、アドレス、パスワード、アイデアなど、人に見られたくない文章はぬえさんに暗号化してもらいましょう。 このアプリを使えばただの文章を独自のアルゴリズムで正体不明の数字暗号文にしてしまいます。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 ゆうぎとかせんのだしダッシュ～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.fallgame14 鬼の暮らす旧地獄に突然鰹や昆布が降ってきた?!何か原因があるに違いない？そんなことはいいから面白そうだし見に行ってみよう！ 星熊勇儀と茨木華扇がそれぞれ別の動機（とは言ってもどちらも主に食い気）から回収に乗り出しました。 混じっているキノコは避けて、鰹と昆布を集めましょう。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 ごろごろおりん～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.fallgame13 灼熱地獄跡で燃料となる死体を運ぶ火焔猫燐。 ちょっと楽をして、地面に穴を開けて死体を地獄にそのまま落としてみました。 死体は沢山落ちてくるけれど、中にはタマネギが混じっています。猫にタマネギは猛毒なので当たらないよう注意しましょう。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■東方 せいがとよしかの墓場ドライブ～無料暇つぶしゲーム～ https //play.google.com/store/apps/details?id=in.fallgame12 hl=ja 今日も仲良く二人で出かけた霍青娥と宮古芳香。行く先には障害がいっぱいなので、芳香に｢前にいて守って｣と言っておいたのですが、どうやら前にいるとこしか覚えていない様子。障害物を壊してくれるのはいいですが、アイテムまで勝手にとってしまいます。芳香の動きに気をつけながらアイテムをとりましょう。 imageプラグインエラー ご指定のURLはサポートしていません。png, jpg, gif などの画像URLを指定してください。 ■ゆっくりシューティング https //play.google.com/store/apps/details?id=com.purahapi_yukkuri01 ゆっくりのシューティングゲームです。 まだ1面のみですが生暖かい目で見守ってくださいm(_ _)m
https://w.atwiki.jp/pccoop/pages/70.html
まだ未完成です 入門用 人口的にプレイに困らないゲーム グラフィックが綺麗なゲーム 評価の高いゲーム トリガーハッピーなゲーム 乗り物に乗れるゲーム ゾンビが出てくるゲーム 入門用 Left 4 Dead Obsidian Conflict (HALF-LIFE2 MOD) Synergy (HALF-LIFE2 MOD) 人口的にプレイに困らないゲーム Left 4 Dead Sven Co-op (HALF-LIFE MOD) Obsidian Conflict (HALF-LIFE2 MOD) Synergy (HALF-LIFE2 MOD) Ghost Recon Advanced Warfighter グラフィックが綺麗なゲーム Left 4 Dead Grand Theft Auto IV ArmA Combat Operations Gears of War 評価の高いゲーム Left 4 Dead Call of Duty World at War Grand Theft Auto IV Gears of War Rainbow Six Vegas SWAT 4 Tom Clancy s Rainbow Six 3 Raven Shield Serious Sam The Second Encounter トリガーハッピーなゲーム Serious Sam First Encounter Serious Sam The Second Encounter Serious Sam II 乗り物に乗れるゲーム ArmA Combat Operations Grand Theft Auto IV Operation Flashpoint Cold War Crisis ゾンビが出てくるゲーム Left 4 Dead HALF-LIFE2 Land of the Dead Road to Fiddler s Green
https://w.atwiki.jp/vocaloidenglishlyric/pages/1198.html
【Tags Miku Nekobooro tE S】 Original Music title 空音サイレンサ English music title Empty Sound Silencer Romaji music title Sorane Sairensaa Music Lyrics written, Voice edited by ねこぼーろ (Nekobooro) Music arranged by ねこぼーろ (Nekobooro) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： A loquat tree has grown out of my forehead, acting as though it has always been there. I m scared of trying to pluck it recklessly, and I m also too embarrassed to go see a doctor. When I, due to my new-found clumsiness caused by the heavy loquat, accidentally shaved off one of my eyebrows, the loquat, indifferent to my suffering and tears, began to lengthen explosively. Come on, please let this be a nice story where when I m sad it will wilt and when I m happy it will grow. Don t you dare flaunt your fruits whenever I m depressed. Are you trying to be inversely proportional to the amount of my hair? You bastard! A loquat tree has grown out of my forehead, acting as though it has been there since my grandfather s generation. It doesn t grow when I m sleeping, but as soon as I wake up and look at it, it ll be growing. Onto the loquat that s prospering in front of my eyes, I decided to spray some herbicide. A few minutes after I thought it was all over, I came to regret my action. The loquat tree has sprouted a new branch in a location such that the drops of fluid would drip right into my eye. I ll need a shower hat. When I turn in my sleep, it would drip onto the tatami and make it rot. Finally, I decided to wash it with water, which nurtured the loquat back to life. I ll have to try the opposite approach. If it grows when I m in a slump, then it should wilt when I laugh. Try my roars of laughter on for size. A second tree has grown out of my right armpit, and it grows when I laugh. Seriously?! On top of that, I can no longer put my right arm down because of the sharp branches. This is now a life-threatening exigency, so I called for an ambulance. But when the ambulance arrived, I had already completely removed the loquat. Aah-!!!!!!!!! Aah-!!!!!!!!! Romaji lyrics (transliterated by animeyay)： odeko kara biwa no ki ga haeta saisho kara imashita mitai na taido de haeta muyami ni nuku no mo osoroshiku isha ni iku no mo hazukashii biwa no omomi de temoto ga kurui katamayu o soriotoshite shimatta toki namidame ni naru ore o yoso ni bakuhatsuteki ni nobihajimeta kanashindara kareru kara waratte sakasetsuzukeru to ka sonna settei ni shite ii hanashi mitai ni shiro yo hekonde ru toki ni kagitte tawawa ni minotte n ja nee yo ore no ke no ryou to hanpirei suru ki ka yo kono yarou odeko kara biwa no ki ga haeta sofu no dai kara koko mitai na taido de haeta nete ru toki ni wa nobinai no ni okite mite ru toki ni nobiru me no mae ni te shigeriyuku biwa ni tsui ni josouzai o sanpu shita no da ga yudan shite ita suufungo koukai suru koto ni naru no da nagarete kita shizuku ga choudo me ni ochite kuru you na ichi ni eda ga nobite kite ru shanpuu hatto ga kakasenai nekorondara yuka ni tarete tatami ga kusatte yuku shikata naku arainagashitara sono mizu de mata sodatta gyakute ni toru ochikomu to sodatsu no nara waraeba kareru hazu kurae ore no daibakushou migiwaki kara nihonme haeta warau to fueru to ka aho ka shikamo eda ga sasaru kara migiwaki ga shimerarenai sasuga ni mou inochi no kiki da hyakujuukyuu ban ni kooru kyuukyuusha touchaku made no aida ni kirei ni nuketa aa--!!!!!!!!! aa--!!!!!!!!! [Nekobooro, Nekobolo]
https://w.atwiki.jp/marketresearch/pages/35.html
Beverage Cans Market Analysis and Insights Quince Market Insights (QMI) has released a new research study titled "Beverage Cans Market” 2023-2032, provides an in-depth analysis of the market by highlighting information on several factors such as “Industry size, share, growth, segmentation, manufacturers and developments, key trends, market drivers, restraints, constraints, regulations, distribution methods, opportunities, strategies, potential road maps, threats and annual forecast until 2032" Click on Link and Get the PDF Sample Copy (Including FULL TOC, Graphs, and Tables) of this report@ https //www.quincemarketinsights.com/request-sample-69964?Offpagepranali_3April23 An Outline of The Competitive Landscape of The Market This section contains comprehensive data on a number of key Beverage Cans market competitors, as well as information on recent changes, market contributions, and effective marketing methods. The report also provides a dashboard summary of the historical and current performance of the top corporations. Beverage Cans Market Size is part of a competitive market. Beverage Cans have evolved into strategic platforms that provide businesses with a stable foundation and information backbone. As a document, the company included the like Crown Holdings Inc. (Philadelphia, US), Ardagh Group S.A, (Luxemburg), CPMC Holdings Limited (China), Toyo Seikan Group Holdings Ltd. (Tokyo, Japan), Can-One Berhad (Malaysia), Can-Pack S.A (Poland), Ball Corporation (Colorado, US), Envases Universales (Spain), Universal Can Corporation (Tokyo, Japan), Interpack Group Inc. (China), GZ Industries (Nigeria), Showa Denko K.K (Tokyo, Japan), Swan Industries (Thailand) Limited (Thailand), Nampak Bevcan Limited (South Africa), The Olayan Group (Saudi Arabia), and Techpack Solutions Pvt Limited (Seoul, South Korea). Key Take away Industry drivers, restraints, and opportunities covered in the study A neutral perspective on the market performance Recent industry trends and developments Competitive landscape strategies of key players Potential niche segments and regions exhibiting promising growth covered Historical, current, and projected market size, in terms of value In-depth analysis of the Beverage Cans Market Market Segments The chapters on Beverage Cans segmentation allow the readers to understand consumer needs. It allows the business to grow with precision and accuracy. Analysts have highlighted the elements that are expected to influence the segments in the coming years. The publication segments the market on the basis of technology, services, and products. It details the Beverage Cans revenue earned by each of these segments and their potential in the years to come. ✦ Segmentation ✦ By Material Type (Aluminium, Steel, and PET), Beverage Type (Alcoholic Beverages, Non-Alcoholic Beverages, and Water), Structure (2-Piece and 3-Piece) What are the key dynamic factors that are detailed in the report? Key Market Dynamics The Global Beverage Cans Market research report details the latest industry trends, growth patterns, and research methodologies. The factors that directly contribute to the growth of the market include the production strategies and methodologies, development platforms, and the product model itself, wherein a small change would result in further changes in the overall report. All of these factors are explained in detail in the research study. Market Outlook The report also sheds light on some of the major factors, including R D, new product launches, M A, agreements, partnerships, joint ventures, collaborations, and growth of the key industry participants, on a regional and global basis. Major Features The report provides a thorough analysis of some of the significant factors, which include cost, capacity, capacity utilization rate, production, revenue, production rate, consumption, import/export, supply/demand, gross, market share, CAGR, and gross margin. Besides, the report provides a comprehensive study of the key influencing factors and market inclinations, in addition to the relevant market segments and sub-segments. Analytical Tools The Global Beverage Cans Market report consists the precisely studied and evaluated information of the key players and their market scope using several analytical tools, including SWOT analysis, Porter’s five forces analysis, investment return analysis, and feasibility study. These tools have been used to efficiently study the growth of major industry participants. Potential Customers The report offers detailed insights to users, service providers, suppliers, manufacturers, stockholders, and individuals who are interested in evaluating and self-studying this market. A Synopsis of The Regional Landscape Of The Market This section of the report provides key insights regarding various regions and the key players operating in each region. Economic, social, environmental, technological, and political factors have been taken into consideration while assessing the growth of the particular region/country. The readers will also get their hands on the value and sales data of each region and country for the period 2023-2032. North America (United States, Canada and Mexico), Asia-Pacific (China, Japan, Korea, India, Southeast Asia and Australia), South America (Brazil, Argentina), Europe (Germany, France, United Kingdom, Russia and Italy), Middle East Africa (UAE, Egypt, Saudi Arabia, and South Africa) Report Scope This report aims to provide an extensive presentation of the global market with both qualitative and quantitative analysis, in order to help readers develop business/growth strategies, evaluate the competitive landscape, assess their position in the current market, and make well-informed decisions regarding Beverage Cans Market. The Data is accessible from 2023 to 2032, and the market size, forecasts, and estimates are given in terms of output/shipments (in units) and revenue (in USD millions/billion). This study segments the world market in extensive detail information on regional market sizes for items by type, application, and player are also provided. Market sizes were estimated while taking the effects of COVID-19 and the Russia-Ukraine War into consideration. The analysis includes profiles of the competitive environment, key players, and their specific market shares to provide a detailed understanding of the industry. Additionally, It contains a SWOT Analysis, a PESTEL Analysis, and a Porter’s FIVE Forces Analysis to assist you in understanding the Market, Competitive Landscape, and Factors That affect it, as well as forecasting the company’s future. Report Includes Following Questions What is the anticipated growth rate of the global Beverage Cans Market in the forecast period? Which regional segment is estimated to account for a massive share of the global Beverage Cans Market? What are the primary driving factors of the global Beverage Cans Market? What are the vital challenges faced by the prominent players in the global Beverage Cans Market? Which current trends are likely to offer promising growth prospects in the next few years? How is the competitive landscape of the global Beverage Cans Market at present? What are the key driving factors of the global Beverage Cans Market? Which latest trends are anticipated to offer potential growth prospected in the coming years? Make an Enquiry for purchasing this Beverage Cans Market Report @ https //www.quincemarketinsights.com/enquiry-before-buying/enquiry-before-buying-69964?Offpage/pranali_3April23 About Us QMI has the most comprehensive collection of market research products and services available on the web. We deliver reports from virtually all major publications and refresh our list regularly to provide you with immediate online access to the world’s most extensive and up-to-date archive of professional insights into global markets, companies, goods, and patterns. Contact us Quince Market Insights Phone APAC +91 706 672 4343 / US +1 208 405 2835 / UK +44 1444 39 0986 Email info@quincemarketinsights.com
https://w.atwiki.jp/vocaloidenglishlyric/pages/370.html
【Tags A Akuno-P tJ tT Kaito】 Original Music title 悪徳のジャッジメント English music title Judgment of Corruption Romaji music title Akutoku no Jajjimento Music Lyrics written, Voice edited by mothy \ 悪ノP(Akuno-P) Music arranged by mothy \ 悪ノP(Akuno-P) Singer KAITO Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： [Once in the Union State of Evillious, there was a man who raked in personal profit from the governmental court. His name was Gallerian Marlon, also called the "collector" by the later generations.] ["Now let the trial begin."] [Chapter One The Corrupt Judge and His Sullied Court] The judiciary system is so tainted here, that a defendant s charges are based solely on the level of his wealth. [laws, justice, litigation, judgment, plaintiff, defendant, innocent, guilty] I, the Master of the Court, seek after not justice or righteousness, but money. [hearing, witnesses, indictment, dismissal, cross-examination, defense, prosecution, summons] Even if it s the most atrocious scoundrel, as long as he pays up, I will gladly spare him. After all, money makes the mare go. I couldn t care less about their looks, age, ethnicity, or gender. [bribing, false evidence, bribery, false indictment, deceit, power, pack of scoundrels, corrupt officials] What s important is whether or not they have enough money. That s all that matters. [money, money, money, money, money, money, money, money] Your life is in my hands. If you wish to be spared, then cough up the coins! That s right, your charges are at my discretion, at the mercy of my judgment of corruption. If you truly wish to be saved from the swamp of false charges, then hand over more of that money! [Chapter Two The Girl of a Miniature Garden and the Vessel of Sin] I need money to cure my daughter s handicapped legs. [accident, mother and daughter, untreatable, hope, magic, "Ma", a friend] Once I have assembled seven vessels of deadly sins, my wish will surely be granted. [contract, devil, collecting, vessels, revival, regeneration, necessary, cost] At today s court, too, where misgivings unfold, the evildoers snicker while the innocent weep. That s right, your charges are at my discretion, at the mercy of my judgment of corruption. In order for my own long cherished wish to come true, I must continue wielding my gavel of injustice. [Chapter Three The Beginning of a Civil War and the End of His Judgment] A vicious general who slaughtered countless innocent people of course should be sentenced to death. However, I was bribed into proclaiming him innocent. The people s outrage brought forth an uprising. That general was killed anyway, and his dead body left in the wilderness to rot. [E.C. Year 983, 8th Month An internal unrest broke out in Leviantha. General Ausdin s brutally murdered body was discovered in his backyard.] The brunt of the rage, however, is directed at me, and the people set my house ablaze. Oh, my beloved "daughter", as long as we re together, there s nothing to fear. In the remains of my burned-down house, you ll probably find the lonely corpses of a parent and his child... [Chapter Four for Death Master of the Hellish Yard and the Final Judgment] When I have come back to my senses, I find myself alone at the gate to the netherworld. Am I going to Heaven or Hell? The one deciding that will be the Master of the Hellish Yard. Even if it s the most atrocious scoundrel, as long as he pays up, he will be spared. After all, money makes the mare go, even in Hell. Smiling, I whisper into the Master s ear "I ll never hand over my money to the likes of you." Immediately, my body is plunged through the gate, and falls towards the bottom of the abyss. That s right, your charges are at my discretion, at the mercy of my judgment of corruption. Therefore, I will not allow anyone to judge my sins; I will not approve any judgment against me. That s right, some time in the future, I will once again gather the fragments of the deadly sins into my hands. By that time, Hell will probably have become a Utopia for my daughter and me... Romaji lyrics (transliterated by animeyay)： [rengou kokka USE ni oite seifu chokka no saibansho o shihai shi, shibutsuka suru otoko ga ita. kare no na wa GARERIAN MAARON. nochi no yo ni oite "collector" to mo yobareta jinbutsu de aru.] ["saa kaitei no jikan da"] [Daiichiwa akutoku saibankan to yogosareta houtei] yogosareta shihou hikoku no hinpu de kimaru zaijou [houritsu seigi soshou saiban genkoku hikoku muzai yuuzai] houtei no nushi taru watashi ga nozomu no wa seigi yori kane [bouchou shounin kokuhatsu kyakka jinmon bengo kiso shoukan] gokuakunin de mo kane sae haraeba sukutte yaru sa jigoku no sata mo kane shidai youshi ya nenrei jinshu ya seibetsu subete kankei nai [wairo gishou baishuu enzai giman kenryoku yuchaku oshoku] taisetsu na koto wa kane ga haraeru ka tada sore dake da [kane kane kane kane kane kane kane kane] omae no jinsei wa watashi shidai sukui ga hoshikerya kane o dase sou tsumi wa watashi no sajikagen hitotsu akutoku no JAJJIMENTO enzai no numa kara SUKUwaretai naraba motto o-kane o watashinasai [Dainiwa hakoniwa on musume to daizai no utsuwa] ashi no fujiyuu na musume no tame ni mo kane ga hitsuyou [jiko oyako chiryou fuka kibou majutsu "Ma" yuujin] daizai no utsuwa nanatsu ga soroeba negai wa kanau [keiyaku akuma shuushuu utsuwa fukkatsu saisei hitsuyou keihi] kyou mo kurihirogerareru giwaku no houtei akunin ga warai zennin ga naku sou tsumi wa watashi no sajikagen hitotsu akutoku no JAJJIMENTO mizukara no higan o kanaeru tame naraba hidou no tsuchi o furuitsuzukeru [Daisanwa naisen no hajimaru to owaru saiban] minshuu-goroshi no akuratsu shougun shizai wa touzen watasareta wairo watashi wa hikoku ni muzai o tsugeta makiokoru ikari hajimatta naisen korosareta shougun muzan na shitai no ni sarasu [E.C.983-nen 8-gatsu REVIANTA nairan ga hassei. OOSUDIN shougun no zansatsu shitai ga jitaku no niwa de hakken sareru.] ikari no hokosaki watashi e to mukai moesakaru ie itoshii "musume" yo futari issho nara kyoufu nado nai yakeochita yashiki kara mitsukaru darou kodoku na "oyako" no nakigara ga... [Daishiwa meikai no nushi to saigo no shinpan] me ga sameta toki ni hitori ita basho wa meikai no mon tengoku ka jigoku ka sore o kimeru no wa meikai no nushi gokuaku nin de mo kane sae haraeba sukutte yaru sa jigoku no sata mo kane shidai watashi wa hohoemi meikai no nushi ni sotto mimiuchi "watashi no zaisan kisama nanzo ni wa kesshite watasanai" tobira ni tobikonda kono karada jigoku no soko e ochite yuku sou tsumi wa watashi no sajikagen hitotsu akutoku no JAJJIMENTO tatoe dare darou to watashi no tsumimade sabaku koto wa mitomenai sou itsuka kono te ni atsumeyou daizai no FURAGUMENTO sono toki ni jigoku wa watashi to musume no YUUTOPIA e to kawaru darou... [mothy, Akuno-P, AkunoP]
https://w.atwiki.jp/vocaloidenglishlyric/pages/1193.html
【Tags Kaito Len Rin Z mayuko t0 tZ 0】 Original Music title 02birth English music title 02birth Romaji music title 02birth Music Lyrics written, Voice edited by mayuko Music arranged by mayuko Singer(s) Kaito, 鏡音リン (Kagamine Rin), 鏡音レン (Kagamine Len) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： Mama, I ve been a good boy. Papa, I m right here. Won t you continue the story you used to tell me? A boy is having a dream in his cage. It s a dream filled with happiness. He holds no doubt against the meaning of the melody he hums. A young man is having a dream in his cage. It s a dream about a gradually broken promise. He repeats that same old melody, again and again. Even the singing voice given to him is becoming blurry, so eventually its meaning will also become lost, won t it? The sweet sweet dreams he sees inside his bird cage are wasted away in exchange for countless feathers and an empty promise. With a child-like heart, he does not even once have the desire to make his delicate wish come true. When you seize the supposedly nonexistent key, you, who have been wishing for a pair of wings, should then finally realize that a pair of pristine wings are already sprouting on your back. The price for being ignorant of happiness is being equally ignorant of unhappiness. Nothing is ever given to or taken away from him, but he fails to see it as his freedom. We have sliced off each other s wings with the foolish choices we made one after another. The sweet sweet dreams you saw inside your bird cage dissipated like bubbles as soon as you reached out your hand. We will finally become aware of the pain of losing our wings when we wipe away the nectar that s soaking your cheeks. I knew very well my wings would fall off when I made my wish to see your faces that I had been seeking with my stretched hands. Won t you come for me, my beloved mama and papa? The sweet sweet dreams you saw inside your bird cage, concealing everything in countless feathers, sparkled. With a child-like heart, if you manage to open the door, then what awaits you there is a cruel... ...birthday. Let s celebrate your birthday, shall we? "Here s a celebratory kiss." "A hug for our reunion." We give them as our present to the brand-new you. If you were to carry the same wound as we did, and if you were to open the same door as we did, then we will love you. There s a knife in your hand. Romaji lyrics (transliterated by animeyay)： MAMA boku wa ii ko ni shite ru yo PAPA boku wa koko ni iru yo nee itsuka hanashite kureta o-hanashi no tsuzuki o shounen wa kago no naka yume o miru arifureta shiawase no yume o miru kuchizusamu MERODII no imi o gimon ni mo omowazu ni seinen wa kago no naka yume o miru hanareyuku yakusoku no yume o miru utaifurusareta MERODII o kurikaeshi kurikaesu ataerareta utagoe sore sura kasunde izure wa imi sae nakunaru no? torikago no naka de miru amai amai yume wa ikusen no hane to hakanai yakusoku ni tsuiete osanai mama no kokoro de kabosoi kibou sae kanaeru dake no yokubou mo mebuku koto wa nai tsubasa o nozomu kimi no senaka ni koso muku naru hane ga hirogaru no ni aru hazu mo nai kagi o tsukami sono toki ni kizuku darou shiawase no imi o shiranu taika wa fushiawase no imi o mo shiranu koto ataerarezu ubaware mo sezu sore o jiyuu da to kizukanai kasaneta no wa itsuka no oroka na sentaku tagai no tsubasa o kirisaite torikago no naka de mita amai amai yume wa te o nobashita dake de tayasuku awa no you ni kieta hane o nakushita itami ni kizukeru no wa anata no hoho o nurashi tsutai ochita mitsu o nuguu toki te o nobashite motomeru itsuka no futari no omokage aitai to negau tabi tsubasa ga ochiru no wa shitte ta n da nee mukae ni kite MAMA PAPA torikago no naka de miru amai amai yume wa ikusen no hane ni subete o kakushite kirameita osanai mama no kokoro de DOA o hiraita nara soko ni aru no wa zankoku na kimi no tanjoubi o-iwai o shiyou ka "shukufuku no KISU o" "saikai no HAGU o" atarashii kimi e okuru bokura to onaji ni kizu o oeba bokura to onaji ni DOA o hirakeba aishite ageru yo NAIFU wa sono te no naka ni []
https://w.atwiki.jp/touhoukashi/pages/5962.html
【登録タグ M Scarlet Sounds すばる ちょこふぁん 曲 魔法少女達の百年祭】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); 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} /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*
https://w.atwiki.jp/hokuyuu/pages/525.html
#blognavi I found notice about Sonic Iguana s recording!! READ THIS!!! IT? NO SECRET that punk rock guitar playing is all about precise, rapid-fire downpicking. Giorgini goes for both definition and punch in his guitar recording techniques, striving to capture both the trebly attack of the pick as it hits the string and the meaty ?hoomph of big speaker cabinets. ? tend to start off with a simple Shure SM57 mic, placed close to the cabinet, off axis, he explains. Giorgini adds that the close placement is as important as the mic choice itself. ?hen I move the mic away from the cabinet, that first attack ot the pick hitting the strings seems to get a little bit de-emphasized. If I get really close up with the mic, I can capture the initial attack. And I can sculpt it with a compressor, too. I?l always do a light compression going to tape, even if the guitar tone is already very distorted, saturated, and thick. The producer favors a somewhat slow attack setting on the compressor, which allows the initial sound of the plectrum hitting the string to ?et in under the wire, before the compressor kicks in. ?he compressor grabs the signal a little late, and you get a more emphasized pick attack. The attack time on the compressor should still be pretty quick - in the low millisecond range, just enough so you can hear the pick hit the string. Then the body of the sound is still thick, because that? being compressed pretty heavily." ? generally use tube compressors, and I can? seem to get the guitar sounds I want without using at least a tube EQ. So I put the signal through a couple ot tube stages going to tape. Not to mention the fact that I prefer tube guitar amps by far. Traditional Marshall JCM 8OOs and 900? are nice. I?e also got a definite love for SoIdano and Mesa-Boogie equipment. I? very tlexible but I always tend to fall back on one of those. I own several amps that bands I produce can use, although they may be attached to their own amps. Giorgini likes to cut tracks live in the studio. ?here? a certain unquantifiable something about the live take of a guitar track, he says. ?f there aren? too many mistakes, I?l always try to keep the guitarist? live take and maybe just punch in a few little fixes. But I find that about 80 percent of the time, I?l also want to go back and record at least a second guitar for layering. So I?l have two rhythm guitar tracks panned left and right. Usually the live one? on the left and the overdub is on the right. Occasionally I?l throw a third guitar on. I tend not to want to go to four guitar tracks. That? over the top for me. カテゴリ [Recording] - trackback- 2006年03月13日 19 24 34 #blognavi
https://w.atwiki.jp/touhoukashi/pages/2117.html
【登録タグ Stack え 妖々跋扈 少女幻葬 ～ Necro-Fantasy 少女救世論 暁Records 曲】 【注意】 現在、このページはJavaScriptの利用が一時制限されています。この表示状態ではトラック情報が正しく表示されません。 この問題は、以下のいずれかが原因となっています。 ページがAMP表示となっている ウィキ内検索からページを表示している これを解決するには、こちらをクリックし、ページを通常表示にしてください。 /** General styling **/ @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight 350; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/10/NotoSansCJKjp-DemiLight.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/9/NotoSansCJKjp-DemiLight.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/8/NotoSansCJKjp-DemiLight.ttf) format( truetype ); } @font-face { font-family Noto Sans JP ; font-display swap; font-style normal; font-weight bold; src url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/13/NotoSansCJKjp-Medium.woff2) format( woff2 ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/12/NotoSansCJKjp-Medium.woff) format( woff ), url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2972/11/NotoSansCJKjp-Medium.ttf) format( truetype ); } rt { font-family Arial, Verdana, Helvetica, sans-serif; } /** Main table styling **/ #trackinfo, #lyrics { font-family Noto Sans JP , sans-serif; font-weight 350; } .track_number { font-family Rockwell; font-weight bold; } .track_number after { content . ; } #track_args, .amp_text { display none; } #trackinfo { position relative; float right; margin 0 0 1em 1em; padding 0.3em; width 320px; border-collapse separate; border-radius 5px; border-spacing 0; background-color #F9F9F9; font-size 90%; line-height 1.4em; } #trackinfo th { white-space nowrap; } #trackinfo th, #trackinfo td { border none !important; } #trackinfo thead th { background-color #D8D8D8; box-shadow 0 -3px #F9F9F9 inset; padding 4px 2.5em 7px; white-space normal; font-size 120%; text-align center; } .trackrow { background-color #F0F0F0; box-shadow 0 2px #F9F9F9 inset, 0 -2px #F9F9F9 inset; } #trackinfo td ul { margin 0; padding 0; list-style none; } #trackinfo li { line-height 16px; } #trackinfo li nth-of-type(n+2) { margin-top 6px; } #trackinfo dl { margin 0; } #trackinfo dt { font-size small; font-weight bold; } #trackinfo dd { margin-left 1.2em; } #trackinfo dd + dt { margin-top .5em; } #trackinfo_help { position absolute; top 3px; right 8px; font-size 80%; } /** Media styling **/ #trackinfo .media th { background-color #D8D8D8; padding 4px 0; font-size 95%; text-align center; } .media td { padding 0 2px; } .media iframe nth-of-type(n+2) { margin-top 0.3em; } .youtube + .nicovideo, .youtube + .soundcloud, .nicovideo + .soundcloud { margin-top 0.75em; } .media_section { display flex; align-items center; text-align center; } .media_section before, .media_section after { display block; flex-grow 1; content ; height 1px; } .media_section before { margin-right 0.5em; background linear-gradient(-90deg, #888, transparent); } .media_section after { margin-left 0.5em; background linear-gradient(90deg, #888, transparent); } .media_notice { color firebrick; font-size 77.5%; } /** Around track styling **/ .next-track { float right; } /** Infomation styling **/ #trackinfo .info_header th { padding .3em .5em; background-color #D8D8D8; font-size 95%; } #trackinfo .infomation_show_btn_wrapper { float right; font-size 12px; user-select none; } #trackinfo .infomation_show_btn { cursor pointer; } #trackinfo .info_content td { padding 0 0 0 5px; height 0; transition .3s; } #trackinfo .info_content ul { padding 0; margin 0; max-height 0; list-style initial; transition .3s; } #trackinfo .info_content li { opacity 0; visibility hidden; margin 0 0 0 1.5em; transition .3s, opacity .2s; } #trackinfo .info_content.infomation_show td { padding 5px; height 100%; } #trackinfo .info_content.infomation_show ul { padding 5px 0; max-height 50em; } #trackinfo .info_content.infomation_show li { opacity 1; visibility visible; } #trackinfo .info_content.infomation_show li nth-of-type(n+2) { margin-top 10px; } /** Lyrics styling **/ #lyrics { font-size 1.06em; line-height 1.6em; } .not_in_card, .inaudible { display inline; position relative; } .not_in_card { border-bottom dashed 1px #D0D0D0; } .tooltip { display flex; visibility hidden; position absolute; top -42.5px; left 0; width 275px; min-height 20px; max-height 100px; padding 10px; border-radius 5px; background-color #555; align-items center; color #FFF; font-size 85%; line-height 20px; text-align center; white-space nowrap; opacity 0; transition 0.7s; -webkit-user-select none; -moz-user-select none; -ms-user-select none; user-select none; } .inaudible .tooltip { top -68.5px; } span hover + .tooltip { visibility visible; top -47.5px; opacity 0.8; transition 0.3s; } .inaudible span hover + .tooltip { top -73.5px; } .not_in_card span.hide { top -42.5px; opacity 0; transition 0.7s; } .inaudible .img { display inline-block; width 3.45em; height 1.25em; margin-right 4px; margin-bottom -3.5px; margin-left 4px; background-image url(https //img.atwikiimg.com/www31.atwiki.jp/touhoukashi/attach/2971/7/Inaudible.png); background-size contain; background-repeat no-repeat; } .not_in_card after, .inaudible .img after { content ; visibility hidden; position absolute; top -8.5px; left 42.5%; border-width 5px; border-style solid; border-color #555 transparent transparent transparent; opacity 0; transition 0.7s; } .not_in_card hover after, .inaudible .img hover after { content ; visibility visible; top -13.5px; left 42.5%; opacity 0.8; transition 0.3s; } .not_in_card after { top -2.5px; left 50%; } .not_in_card hover after { top -7.5px; left 50%; } .not_in_card.hide after { visibility hidden; top -2.5px; opacity 0; transition 0.7s; } /** For mobile device styling **/ .uk-overflow-container { display inline; } #trackinfo.mobile { display table; float none; width 100%; margin auto; margin-bottom 1em; } #trackinfo.mobile th { text-transform none; } #trackinfo.mobile tbody tr not(.media) th { text-align left; background-color unset; } #trackinfo.mobile td { white-space normal; } document.addEventListener( DOMContentLoaded , function() { use strict ; const headers = { title アルバム別曲名 , album アルバム , circle サークル , vocal Vocal , lyric Lyric , chorus Chorus , narrator Narration , rap Rap , voice Voice , whistle Whistle (口笛) , translate Translation (翻訳) , arrange Arrange , artist Artist , bass Bass , cajon Cajon (カホン) , drum Drum , guitar Guitar , keyboard Keyboard , mc MC , mix Mix , piano Piano , sax Sax , strings Strings , synthesizer Synthesizer , trumpet Trumpet , violin Violin , original 原曲 , image_song イメージ曲 }; const rPagename = /(?=^|.*